Pictorialism, Modernism, and Postmodernism in Photography

1. Using the gallery list provided below, find contemporary photographs (made within the last 10 years) that epitomize each of the following: Pictorialist aesthetic, Late Modernism, AppropriationIn other words, you should upload three photographs: One for Pictorialist aesthetic, one for Late Modernism, and one for Appropriation. Then explain in detail how they are representative of their respective traditions. (1000 words)Gallery ListAmador GalleryBonni Benrubi GalleryCandace DawnClampartDanziger ProjectsGagosian GalleryGitterman GalleryEdwynn Houk GalleryLuhring AugustineMatthew Marks GalleryHoward GreenbergJen BekmanJanet BordenJulie Saul GalleryLaurence MillerPace/MacGill GalleryRobert MillerRonald FeldmanSasha Wolf GallerySean Kelly Gallerysepia EYESilverstein PhotographySoho Photo GalleryThrockmorton Fine ArtVon Lintel GalleryYancey Richardson GalleryYossi Milo GalleryZabriskie GalleryPurposeTo recognize and understand the photographic traditions of the late 19th and 20th centuries2. What should take greater importance: The intended meaning an artist gives to a work, or the viewer’s subjective interpretation of it? Should the viewer even try to determine what the artist is saying? What situations make this impossible, and what should the viewer do? If artistic intentions are irrelevant and meaning is uncontrollable, then what value can the artist provide?