1. The general public’s idea of good color photography seems to include contrast of hue: saturated, bold, often primary colors. What are your thoughts about this statement? If you agree, can you explain the basis for the public’s taste? What opportunities and challenges does it pose for your career as a photographer, whether your discipline is fine art, documentary, or commercial? If you disagree, can you explain why and provide examples that prove your point? (650 words)2. Using the gallery list provided, please find and discuss three photographers, not mentioned in this module, who have projects rooted in monochrome, analogous color, and complementary color. (1000 words)Jen Bekman Gallery, New York, NY: jenbekman.comEdelman Gallery, Chicago, IL: edelmangallery.comMonte Clark, Canada: monteclarkgallery.comPhotographs Do Not Bend Gallery, Dallas, TX: pdnbgallery.comRobert Klein Gallery, Boston, MA: robertkleingallery.com
